tag:blogger.com,1999:blog-37346614.post1470375234086868181..comments2023-10-02T23:41:51.453+11:00Comments on dysconnect: Of nasty mums, sad beavers, and the FLAC-copping community [Pt. III of III]PChttp://www.blogger.com/profile/11828854682227101864noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-37346614.post-88199502037052979612007-04-24T10:17:00.000+10:002007-04-24T10:17:00.000+10:00I too struggle with the pressure on the little rec...I too struggle with the pressure on the little record stores. Big ones can diversify, look at a complany like 3M, it seems the only thing they don't make is music, and I'm sure we'll start seeing EMI sticky-tape on the shelves soon.<BR/><BR/>But here's one for you; I have nothing to offer by way of explanation, mind: Redeye Records in sydney was always the most successful of the independents. At about the same time that people realised they could get their kicks for free though, the place started to grow. And grow. It's prolly quadrupled it's size, turnover etc since you last lived in Sydney. How?<BR/><BR/>I could, though, be entirely wrong abou that.Jimmyhttps://www.blogger.com/profile/16607774780552162385noreply@blogger.com